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The Untold Story of Wipeout's Trailblazing Soundtrack




In the pulsating realm of futuristic gaming, Wipeout emerged as a trailblazer, not only redefining anti-gravity racing but also revolutionizing the integration of electronic music. 🚀🎮 Dive into the genesis of Wipeout's sonic odyssey – a groundbreaking fusion curated by Nick Burcombe, the visionary designer behind the game.


Released for the Sony PlayStation in 1995, Wipeout shattered conventions by weaving electronic beats from non-mainstream, alternative artists into its gameplay. The brainchild of Burcombe, inspired by a twist of fate during a Super Mario Kart session where he swapped in his own electronic tracks, Wipeout marked a paradigm shift in gaming soundscapes.


Burcombe's vision extended beyond the console, birthing the idea of an official soundtrack album. Teaming up with The Designers Republic, the artistic architects behind the game's futuristic visuals, the album's artwork mirrored the sleek, avant-garde aesthetics of the game's universe.


The quest for a cutting-edge soundtrack led Burcombe to approach The Prodigy, envisioning a collaboration that could draw in a wider audience. When the stars didn't align, Orbital stepped into the sonic cockpit, crafting the iconic "Wipeout (P.E.T.R.O.L.)". A fusion of rave culture and gaming innovation, this track marked a defining moment in the electronic music-gaming crossover.


Navigating uncharted waters, Burcombe faced resistance from record companies who grappled with the novelty of integrating music into a game. Yet, undeterred, he enlisted the talents of CoLD SToRAGE, whose tracks, distinct from the album, found their way into the gameplay.


The soundtrack album, released on Vinyl, CD, and Cassette in the UK and Australia, offered a curated journey distinct from the in-game experience. "Afro Ride" and "Chemical Beats," exclusive to PAL and Japanese copies, showcased remixes that added an extra layer to the sonic tapestry.


As we rev up for the thrilling races ahead, let's pay homage to Wipeout – a game that not only defied gaming norms but also orchestrated a symphony where electronic beats and futuristic visuals danced together. In the heart of this cybernetic universe, music became the pulse, and Wipeout forever etched its name in the annals of gaming history. 🏁🔊 #WipeoutRevolution #ElectronicGamingSoundtrack


Diving into the sonic engine of Midnight Club: Dub Edition Remix, the game didn't just flirt with musical genres; it plunged headfirst into the intoxicating realm of drum and bass. From the thunderous beats of Pendulum to the intricate rhythms of High Contrast, the game curated a sonic environment that amplified the intensity of late-night races through virtual cityscapes.


One standout moment in the Midnight Club: Dub Edition Remix playlist was the inclusion of "Overnight Celebrity" by Kanye West featuring Twista. This hip-hop gem wasn't just a track; it was Kanye's signature production style, coupled with Twista's rapid-fire delivery, aligning perfectly with the game's ethos of style and speed. "Overnight Celebrity" became more than just a song; it became an anthem.


While Wipeout's electronic beats defined a techno-utopia, Midnight Club's eclectic mix reflected the diverse tapestry of an urban playground. These titles, though separated by a decade, share a common thread: the realization that the marriage of music and gameplay transcends mere accompaniment. It's a deliberate fusion that shapes the essence of the gaming experience.


In the symphony of racing games, Wipeout and Midnight Club: Dub Edition Remix stand as maestros of their respective eras, showcasing how music becomes an integral part of the virtual journey. The pulsating beats of Wipeout and the genre-blurring tracks of Midnight Club demonstrate that, in the realm of gaming, the soundtrack isn't just background noise—it's the heartbeat that propels players forward, making each race an immersive, unforgettable rhythm.


The acid-infused tracks in Wipeout served as more than just background music; they became an integral part of the game's identity. The genre's electronic beats added a layer of intensity and surrealism, enhancing the overall sense of speed and otherworldliness as players zoomed through the visually stunning and technologically advanced tracks.

Now, let's take a look at the Wipeout series, which has been an enduring force in the racing game genre:


  1. Wipeout (1995) - The game that started it all, introducing players to anti-gravity racing in a futuristic setting.

  2. Wipeout 2097 (Wipeout XL in North America) (1996) - A sequel that expanded on the success of the original with new tracks and enhanced gameplay.

  3. Wipeout 64 (1998) - A version specifically designed for the Nintendo 64 platform, bringing anti-gravity racing to a new audience.

  4. Wipeout 3 (1999) - Further evolving the series, Wipeout 3 introduced new teams, tracks, and gameplay mechanics.

  5. Wipeout Fusion (2002) - Released on the PlayStation 2, this installment introduced a storyline and a revamped campaign mode.

  6. Wipeout Pure (2005) - A launch title for the PlayStation Portable, Pure returned to the series' roots with a focus on speed and sleek design.

  7. Wipeout Pulse (2007) - The sequel to Pure, Pulse continued the anti-gravity racing tradition with new tracks and a refined experience.

  8. Wipeout HD (2008) - An enhanced version of Wipeout Pulse for the PlayStation 3, featuring high-definition graphics and additional content.

  9. Wipeout 2048 (2012) - A prequel to the series, exploring the origins of anti-gravity racing and featuring new gameplay mechanics, released for the PlayStation Vita.

  10. Wipeout Omega Collection (2017) - A compilation that brought together Wipeout HD, Wipeout HD Fury, and Wipeout 2048, remastered for the PlayStation 4.

The Wipeout series, with its evolution spanning multiple platforms and over two decades, continues to leave an indelible mark on the racing game genre, blending cutting-edge visuals with iconic soundtracks, including the distinctive presence of acid music.


Listen to the soundtrack here

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